** High Priority **
Wat to go !!!!!
Nowadays "real ger still sounds way better than all software
synthesysers.
And about going live ...... The experience of preforming your
tracks live is unbeleivable ..so great to see a crowd go mad
at your home work !
Respect T-heiz
quoted 2 lines szalemandre <szale@doubtful.com> 22-09-97 14.19
>>> szalemandre <szale@doubtful.com> 22-09-97 14.19
>>>
grouch wrote:
quoted 1 line At 21:47 22/09/97 -0400, you wrote:
> At 21:47 22/09/97 -0400, you wrote:quoted 1 line and as for live shows, why bother?
> and as for live shows, why bother?
you can't be serious..
quoted 1 line i see ads for all kinds of samplers/fx
> >i see ads for all kinds of samplers/fx
units/synths/sequencers, etc..
quoted 3 lines they're over-expensive and out-dated
>
> they're over-expensive and out-dated
> cue the rebuttal from the expensive studio-owners
(suckers...)
call me crazy, but i like to have realtime control over my
music. i
really think there's a lot missing in music when the human
element is
taken out of it. (i know electronic music is so far removed
from
anything natural as far as sounds go, but it's about groove)
missing
beat one, a loose finger on the cutoff, little imperfections in
levels.
i don't know.
i guess i'm a little romantic about 'real gear'. but i just can't
see
countless knobs and sliders and buttons being effectively
replaced by
one mouse with three buttons. (i know you can map
keyboard keys to do
certain things, which is cool, but still awkward). i mean, look
at
re-birth. you've got to record in two passes if you want to
use two
hands.
oh well, that's just me. i'm just all for the hardware setup.
even
though it's bigger, more unwieldy, and more expensive..i
think it's
really worth it for the realtime control (if for nothing else than
muting and unmuting tracks at performance-time).
but there are two ways to do it now. both make music. it's
just what
you're comfortable with.
-eric
--
.- Doubtful Productions Evolving Media -.
eric sherman
http://www.doubtful.com
szale@doubtful.com